“With freedom, books, flowers, and the moon, who could not be happy?” –Oscar Wilde
While Rae is basking in moon joy—in the glow of four good humans being shuttled to la lune—I’ve been savoring my own portable magic, compliments of Rachel Hochhauser. The debut novelist transported me back into the most popular fairy tale of all: Cinderella. It’s been years since I’ve even thought about the childhood rags-to-riches narrative, the symbolic primer for achieving happily- ever-after. When my book-savvy niece told me she was hearing a whole lotta chatter about Lady Tremaine, I downloaded the feminist retelling as if Drizella was shouting “Faster!” at me, not her oppressed stepsister.
I loved Hochhauser’s spin on the classic. She transforms the cold, calculating evil stepmother into a talented, forward-thinking matriarch who has all her daughters’ (including Cinderella’s) welfare in mind. Lady Etheldreda Verity Isolde Tremaine loses both her first and second husbands early on in each of her marriages. In financial ruin, she works tirelessly to secure a better future for her children. The Royal Ball remains a pivotal point in the story. After that, we get hit with a princely twist.
Now I see why C.S. Lewis said, “Someday you will be old enough to start reading fairy tales again.” While Lady Tremaine isn’t your traditional fairy tale, characterized by magical elements, there was a metaphorical magic in these pages. Etheldreda possesses more than one superpower. Her relentless focus on survival and social mobility in an unforgiving aristocratic world is beyond impressive. It’s inspiring. Glennon Doyle believes this is “destined to be one of the biggest books of the year.” I think she’s right. Way to ditch the evil archetype in favor of a capable, confident woman who doesn’t need saving by a man, RH. It’s a must love.
P.S. For all you Bridgerton fans, you’ll be happy to hear Bessie Carter’s voice on the other end of this one.
